
Now I’m not usually prone to bouts of over excitement, but news of a brand new Oblivians album has me flinging exclamation marks all over the place . See the title of this post for proof of the fact that this news is very pleasing to me.
The photo above has Greg Oblivian shaking on a deal for a brand new Oblivians album with Larry Hardy of In The Red records, who will be releasing it.
The Pony’s Jered Gummere must have a form of musical ADHD, he’s been in so many bands he makes Jack White look lazy. The Muggles, Defilers, Real Cool Killers, Guilty Pleasures and The Ponys. He collects bands like other less diligent souls collect records. Inside My Head by Gummere’s latest venture Bare Mutants is cooler than fuck fuzzy punk that sounds like the Jesus & Mary Chain at their best.
Another week, another brief missive from the Great ANBAD New Band Pile That Threatens To Topple At Any Moment And Kill Us All.
Whilst stationed in Brooklyn, I’ve been missing most of the breathless reporting on what mildly-degrading actions Official ANBAD Mascot Alex James is undertaking this week.
Thus please accept another endearing image of our favourite bassist from the stockpile that has steadily built up.
Howler
From: Minneapolis, United States
In 1961 Decca Records told the Beatles that guitar groups were on their way out. With only one genuine honest to goodness guitar band making it to the BBC’s influential Sound of 2012 final 15 long list it would appear that they were a mere 50 years out. If the BBC are to be believed all that’s left to do is order the coffin, draft the obituary for the Times and dust down the black suit and tie. But hold on a moment since when has the BBC ever been the arbiter of taste? Aren’t they the establishment we’re all supposed to be challenging and isn’t the guitar the ultimate anti establishment weapon of choice for young rebels through the musical ages? It’s time for the fight back to begin.
There’s a weird atmosphere in London. The weather forecasters have promised an icy apocalypse for later in the night. From the tone of the warnings it is not clear whether we will get one inch of snow and some minor disruption, or whether this is indeed the end of the world and any poor souls caught outside will have to devour each other like members of the Donner Party.
I decide to risk it.

While getting you the finest new jams to listen to will always be our main squeeze, sometimes it’s good to gain a little context into our favorite artists – a quick view into their brain that might demonstrate why we love their sounds so much. That’s the idea behind our new series On The RCRD. We use a flip on the classic Proust Questionnaire and let our favorites, well, do whatever with it.
A curtailed Midweek Mixtape this week, due to the fact that living out of a rucksack is not conducive to the Peak Music Bloggery™ that we have all come to expect/long for on ANBAD.
So, this week features less poking fun at Blur bassists, and more moving quickly on to the new bands.
Oh, OK then, there’s still room for a picture of Alex James looking foolish.
Having forgone a gig last week due to indisposition, I’m delighted to almost immediately have the chance to catch up with one of the bands that I missed.
I’m primarily here this evening to catch Fever Fever, about whom I have heard great things. They are bottom of the bill. On tonight’s evidence, this is not a position that they are going to have to put up with for very much longer.

Elephant & Castle, aka David Vincent Reep, is something of a wanderer, which bodes well for his sonic cameleon sensibilities. Take this one, "En Memoria," which features Merrill Garbus (Tune-Yards) on vocals and seems to pluck natural sound from all over the globe with an intensely spiritual focus. Atmospheric, lush and dreamy, flutes flicker while hands pound away on the rawhide of drums and keys hang in the wind – a great introduction to what will go down on Elephant & Castle’s debut, Transitions, which comes March 13 via Plug Research.
Follow us on
twitter here