
The last Lollapalooza of the this decade is in the books and despite, what on paper, looked like a less than impressive lineup, it turned out another weekend of exciting and memorable moments just as in years past. Every year going at Lolla, one is expected to battle oppressive heat, but on Friday this year, Mother Nature decided to throw in a little something extra - a rain storm that only seemed to pick up steam throughout the day. The showers fizzled out by nightfall, ushering in the heat and wind for the rest of the weekend.
Due to a lack of veteran artists in the middle of the lineup, this year’s festival allowed many relative newcomers to strut their stuff in front of large amounts of festival goers. Miike Snow brought their debut album to life at the Vitamin Water stage while wearing Phantom of the Opera-esque masks for the first third of their set. Despite being a new band, they worked the crowd with the confidence of a group with much more experience. They worked through much of their album only to jam out and turn it into an electro-dance party by each song’s end - the advantage of having two fantastic producers in the band. Passion Pit and Lykke Li were thrown on the small Citi stage, only to draw impressive crowds and put together equally impressive sets, with Passion Pit’s set having one of the more energetic crowds during the entire festival. Dan Deacon and Of Montreal were the only other bands that I saw that were able to rile up their crowds in a similar frenzy…
Thoughts: For all my bitching and complaining about the Wolf Parade side projects and their inability to match the heights reached on Apologies to the Queen Mary, I actually really enjoy Spencer Krug as a musician and most of what he does with Sunset Rubdown. Their latest album, Dragonslayer, is a return to form after the lackluster Random Spirit Lover. The songs here bristle with a renewed sense of energy and passion, the songwriting is crisp, and even Krug’s unique vocals are more focused then they have been in the past. Songs like the first single, "Idiot Heart", and "You Go Ahead (Trumpet Trumpet II)" are some of the finest pieces of music Krug has ever written, and the increased presence of Camilla Ingr’s backing vocals brings a greater range of depth to the entire album. It’s still not on par with Apologies…, but at this point I think I have to resign myself to realizing that that was one of those albums that will never been equalled. Spencer is a prolific songwriter so there are going to be down moments here and there, but so far Dragonslayer may just be his most complete effort to date.
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