2008 was a shit year for music.
With the economy falling down around us, the music industry continued to crumble under the pressure of the internet…falling down, down, down and barely even pulling in a cent (or so they would like you to believe). Bands inspired by the few cash cows we have left aped and copied their way through records. Folks were led to believe that a band like Fleet Foxes made a better, more lasting impression with their record then say someone like Deerhunter did.
I first fell in love with The Clash, which led to a passion for political, intelligent lyrics, and eventually to bands like the Manic Street Preachers, Gang of Four and McCarthy. Then I fell for Joy Division, which led to an intense admiration for lyrics and music that documented a fraught inner life and the turmoil and starkness of reality in a minimalist monochrome never heard before. The Clash tore down what music was the first time with punk. And Joy Division did it again with post-punk. Now the Glasgow-based band Stroszek, having fused the power of both bands into an ambitious, inspiring art and aesthetic, have a chance to bring music to its knees once more. It’s been well over a year since Stroszek released their first EP aptly entitled Demonstration, an unapologetically political piece with funereal undercurrents pulsing beneath all four tracks (for more information about Demonstration, see my earlier post about it). This month sees the release of their second EP entitled Manufacturing Consent, a nod to Chomsky and Herman’s seminal work on propaganda and the not-so-free press in "democratic" nations.
Follow us on
twitter here