
This track is all over the place by now, but such a match made in heaven cant be ignored. Bradford Cox (Deerhunter & Atlas Sound) and Noah Lennox (Panda Bear from Animal Collective) have teamed up to produce one of the most gorgeous, bouncy dream-pop tracks of the past few years.

I heard that this song is possibly one of the most ‘relevant’ and ‘organically created + released’ mp3s of the year. From what I understand, the DeerhunterBro was ‘chilling’ with the Animal Collective, then Panda Bear (Noah Lenbro) ‘taught’ DeerBro how to use his lil conceptual music making gadget. Feel like this is ‘basically just a new Panda Bear song’ or something. Not sure if I really want to say it is an ‘Atlas Sound’ song, because I feel like I would ‘like’ it 40% more if it was just ‘a Panda Bear song.’ I’m not sure what Bradford Cox (Deerhunter/AtlasSound bro) is trying to do, branding-wise. Have honestly never heard Atlas Sound, but would think that he is like some sort of indie rock guitar bro or something. Might be trying to rebrand, and get more on the ‘conceptual bandwagon’ [via Neon Indian theory].
Seems like this mp3 is ‘good’ and possibly ‘transcendental’ in an mp3blog kind of way. Feel like it is a ‘good song’ but also has too many opportunities to ‘namedrop band names’ to pass up blogging about it. I think that if you blog about this song, your blogsite will show up when people google “what is a good indie song, yall?”

As you may have noticed, along with the lack of posts going on around here, the Graboid has seemingly disappeared as well the past couple of weeks. To catch everyone back up to speed, I’ve decided to post the album releases from the past few weeks that we’ve missed along with everything from this week. I’m sure I may have missed some releases, but I think I’ve covered most of the important stuff for the most part. As usual, let us know what album(s) you’ve been excited about and if we managed to forget anything!
New song from Deerhunter’s upcoming Rainwater Cassette Exchange EP, due out June 8 on Kranky:
Lockett Pundt, multi-instrumenatlist and songwriter for Deerhunter, has his debut solo album, The Floodlight Collective, coming out in March via Kranky. The album is a beautiful collection of sonic shoe-gaze pop, in which, each track adds to the murky waters of sound by which a Deerhunter cohorts seem permeated. This album has not escaped, and will continue, to draw comparisons with Bradford Cox’s Atlas Sound, despite that the two artists sound surprisingly different. Cox seems to constantly be weighed down by the plague and drudgery of the every-day world (this is not a put down, but this is my opinion), where as Pundt chooses to illustrate a brighter, more magical, aspect of the world with his floating lyrics dripping from his lips like an ether meant to illuminate the world after a lengthy rain.
Gavin: A lot happened in 2008. It seems so long ago now. Like any blog worth it’s salt and peppa though, we have decided to put together our best/worst gigs and albums of the year and used our clever little thinking boxes in our heads to have a guess (/dictate?) who will be floating boats in the next twelve months or so. Have a read and put us in our place about your favourite albums and who you think will storm 09…

Little Joy- Little Joy
9/10
“Everything’s so fun and carefree in Little Joy, it’s like a party you never want to leave, a movie whose lead characters live your ideal life, or the best ginger cake you’ve ever sampled.”- Sarah

Last night I had a discussion about the band Deerhunter, and how they’ve pretty much become the most fully realized nu-shoegaze indie band. They have their own manic sense of creativity, but essentially they’re a band that derives from listening to a lot of other bands (like Stereolab and Slowdive) and writing songs that they (really one dude) want to kind of sound like those bands. And that’s awesome. A lot of great bands have done that. The four young guys in Detroit’s The Satin Peaches also wear their discographies on their sleeves, working a sound that’s composed of bits and pieces from modern indie rock from the last two decades or so.
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