Valentines Days Is Over?

As a songwriting teenager during a time when GBV and Brainiac were packing local bars and three of the Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. "I would just see those people—my music heroes—hanging out at the bar like everyone else," she remembers. "I could see myself in them. It gave me inspiration to do my own thing."

After doing the usual business of playing local shows, the trio set out the following year on a regional tour. One of the first gigs of the trip took them to a bar in Akron, where Black Keys’ drummer Patrick Carney just happened to be one of only a handful of people in the audience. This chance encounter led Wennerstrom and the Heartless Bastards to Fat Possum Records, with whom they released their debut, ‘Stairs and Elevators’, in early 2005.

The band moved on with critical praise in their back pocket, including a four-and-a-half star review from Rolling Stone, which took note that, when Wennerstrom “opens her throat on ‘Stairs and Elevators’ … she sounds like she’s wailing on the shoulders of giants; her sad and angry vocals channeling all the swagger and spit of a young Robert Plant.”

‘All This Time’, released during the summer of 2006, received even more widespread critical acclaim than ‘Stairs and Elevators’. The Bastards played hundreds of shows to support the record. They played huge festivals and toured with Wilco & Lucinda Williams. Wennerstrom’s songs appeared often on TV shows and in films. This would be measured by most as a huge success, but in Wennerstrom’s mind her sound and band were still evolving, and she knew it was time for a change.

In true ascetic discipline, she moved to Austin, Texas in 2007 for a change of inspirational scenery and a new recording project. With the help of producer Mike McCarthy (Spoon, Trail of Dead), she assembled a group of musicians with whom she gave the songs life and uncovered yet another layer of herself and the Heartless Bastards. The two new Bastards aren’t Texas ringers, but fellow Dayton brethren Dave Colvin on drums, and Jesse Ebaugh on bass, who actually played on the original demo that hooked Fat Possum.

The new album, entitled ‘The Mountain’, delivers the powerful howl that fans expect from the Heartless Bastards, but also weaves in adventure with mandolins, banjos, strings and Erika’s transcendent voice.

‘The Mountain’ is out now and the band will tour its ass off.