Sauntering and twiddly guitars are swiftly making Tim Harrington the coolest man in rock to own a receding hairline. The midpoint descending bass adds a spaced out feeling to what is, essentially, one big singalong hoot. “Back before Babylon, shit was cool!” the big man screams out, and you just know he was there, doing the cool shit.
YOUNG KNIVES / UP ALL NIGHT (TRANSGRESSIVE) Since dropping the ‘The’ from their name it’s been a trying time for these boys, not least for their pigeon-holing into geek rock. The guitars are still razor sharp, Henry attractively annunciating – but this is a mild effort on the scale of their bolder ambitions. ‘Up All Night’ will resound in your head until it the Beach Boys harmonies begin to grate… SUBLIMINAL GIRLS / HUNGRY LIKE THE WOLF (WEEKENDER) Euro-loving pop in its purest form; this band love Duran Duran from afar, as we do too (well, as much as is acceptable). However, this is everything a cover record should not be. Basically Subliminal Girls attempt to do the song as it was originally, only with less Le Bon style and more mundane shite. VINCENT VINCENT & THE VILLAINS / PRETTY GIRL (EMI) Flirting with two-tone is a dangerous game, as this song proves. This is the sound of a tinny ensemble with a shuffley drummer paying homage to some out of reach beau. It branches out into a freer breakdown, but the mention of Tesco upsets the rhythm somewhat. Uninspiring drivel. THE CRIBS / I’M A REALIST (WICHITA) A bit of a downbeat offering from the brothers Jarman, this is intertwined with self-deprecating claims and venom. ‘I’m A Realist’ is punchy and off-the-charts-kilter, as you would expect, and lyrically keeps on the mark nouce that they thrive on.

*The Cribs (http://www.absolutepunk.net/thecribs)* are currently working on their first studio album as a three-piece since 2007's Men's Needs, Women's Needs, Whatever an...

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