scanners - violence is golden
Released: Fri, 2008/02/08 on Dim Mak
ARTROCKER RATING:
With the urgency of PJ Harvey’s voice coupled with the throwaway pop assault of Garbage, you’d presume all hell would break loose. Yet this is exactly where Scanners are forging a canyon for themselves. This debut album has been available in the US for over a year but will hit these shores in February - not soon enough!
this is for the most part a debut LP that revels in all the best ingredients of the last two decades...
This could easily be mistaken for a classic 80s album, with it’s curiously familiar sound retaining just enough of a sense of the pedestrian for today’s market. On the forthcoming single ‘Lowlife’ - a gorgeous plea to depression – the band gallop forth winning over Howling Bell’s fans in their wake; it is simply a brilliant pop song.
There’s a sense of front loading to Violence is Golden, but delving into the latter half of the record, a creeping obscurity and stylistic experimentation provides us with meatier prospects. Like masters of the Yeah Yeah Yeah’s school of thought, they begin to deploy reverb space and drumming variations into the mix.
‘Air 164’ is a Be Your Own Pet-style exercise in carefree thrash punk, while ‘Evil Twin’ takes hypnotism to a new level with it’s Beatles-esque modal repetition. ‘Changing Times’ whacks in a lump of fuzz bass for backing half-way through, changing the song from a haunting loop into a pulsating, screaming stomper.
If we’re going to be choosy, ‘Look What You Started’ is probably a missable song, if only for its predictability. But this is for the most part a debut LP that revels in all the best ingredients of the last two decades. It’s dripping with emotional highs and lows: sex, death, misery and joy, and while the band may not be smiling about it, they are alluring throughout.
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