In the best, weirdest, wrongest, most poptastic pop, contradictions are the shit. Sweden’s Lykke Li is both pop puppet and producer-svengali-puppet master; awkward and a brilliant manager of that awkwardness. She doesn’t just pull her own strings, she ties them into intricate knots that could keep armies of scouts occupied. Her songs sound a bit like mid-Eighties dance-pop of the...
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